For this video, Palisades in Palisades, 2014, Rose wanted to expand both her conceptual concerns and her cinematographic repertoire. “I was learning how to make a shot in relation to the content,” she explains, “and how the shots were metaphors for pure sensual material.” The artist accomplished this by using a remote-control camera that could zoom from 200 feet away all the way up to the pores in an individual’s skin. She chose to shoot in New Jersey’s Palisades Interstate Park, a onetime Revolutionary War battleground turned landscaped circuit park that sits atop an ancient cliff.
The third/final part of a trilogy of shorts shot in 16mm b+w reversal film on a turret Bolex, Power Line is a non-narrative examination of the woodlands in the northern most region of the state of New York.
A non-narrative short film shot in 16mm on a turret Bolex, which -- although it's primarily an exploration of the natural lands in upstate New York -- is intended to create a sense of urgency regarding the fragility of the environments that house different species of creatures, and work as a piece contrasting the way in which plant life dies out every winter, whereas animal life does not.
"Visionary post-war modernist Tyeb Mehta channels the nightmares of the nation in Koodal, at once the artist’s self-described “autobiography” and a profound meditation on collage, crowd control, cinematic subjectivity and the violence buried within every glorious act of foundation.
Immediately after the events of The Desolation of Smaug, Bilbo and the dwarves try to defend Erebor's mountain of treasure from others who claim it: the men of the ruined Laketown and the elves of Mirkwood.
The story of a super-secret spy organization that recruits an unrefined but promising street kid into the agency's ultra-competitive training program just as a global threat emerges from a twisted tech genius.