A portrait of the painter Rose Wylie at work in her studio at home in Kent. The lm re ects on the meeting of the two artists and the mingling of their creative processes. The films sound is a collage of recordings taken from around Rose’s home and fragments from lms that she has watched. Shots from her house and studio, including details of encrusted paint pots, brushes, paintings, drawings and magazine clippings demonstrate Wylie’s divergent reference material which ranges from historical gures and celebrity culture to the everyday objects around her.
Brooklyn mobster and prolific hit man Jimmy Conlon has seen better days. Longtime best friend of a mob boss, Jimmy is haunted by the sins of his past—as well as a dogged police detective who’s been one step behind Jimmy for 30 years.
Doug Harris is a loveable but socially awkward groom-to-be with a problem: he has no best man. With less than two weeks to go until he marries the girl of his dreams, Doug is referred to Jimmy Callahan, owner and CEO of Best Man, Inc.