For forty-five years Chris Burden maintained a quest to challenge perceived boundaries of modern art in an always awe-inspiring manner. He guaranteed his place in art history beginning in 1971, while still a student in Southern California, with a period of often dangerous, at times stomach churning performances. He had himself shot, locked up in a 2x2x3 locker for five days, electrocuted, crucified on the back of a VW bug. Burden reinvented himself as the creator of truly mesmerizing installations and sculptures, from a suspended gigantic flywheel that seemingly spins on its own (and scarily picks up speed) to an assemblage of antique street lights rewired for solar energy and are illuminated outside Los Angeles County Museum of Art.
The epic story of the first contact, encounter, approach, betrayal and, eventually, life-transcending friendship, between Karamakate, an Amazonian shaman, last survivor of his people, and two scientists that, over the course of 40 years, travel through the Amazon in search of a sacred plant that can heal them.
Since the dawn of civilization, he was worshipped as a god. Apocalypse, the first and most powerful mutant from Marvel’s X-Men universe, amassed the powers of many other mutants, becoming immortal and invincible.
New York City is full of lonely hearts seeking the right match, and what Alice, Robin, Lucy, Meg, Tom and David all have in common is the need to learn how to be single in a world filled with ever-evolving definitions of love.