A kino-investigation about spectatorship, a continuous conversation between different kinds of spectators: Which one is more cinema? – Citizen Kane on a mobile phone or a football game projected in a cinema theatre? What is the Cinema of Uncertainty? How many kinds of Amazement exist? Does Fear and Belief precede Amazement? What are the rights and duties of the Spectator? Is the Essay Film a manifesto against voyeurism? Should spectators be paid? What amazes the spectator of this day and age?
Fearing the actions of a god-like Super Hero left unchecked, Gotham City’s own formidable, forceful vigilante takes on Metropolis’s most revered, modern-day savior, while the world wrestles with what sort of hero it really needs.
The epic story of the first contact, encounter, approach, betrayal and, eventually, life-transcending friendship, between Karamakate, an Amazonian shaman, last survivor of his people, and two scientists that, over the course of 40 years, travel through the Amazon in search of a sacred plant that can heal them.
Set in the Aokigahara Forest, a real-life place in Japan where people go to end their lives. Against this backdrop, a young American woman comes in search of her twin sister, who has mysteriously disappeared.