In Prohibition-era Chicago, musicians Joe and Jerry witness a mob hit, and flee the state in an all-female band disguised as Josephine and Daphne, but further complications set in.
In comedian Johnny Ray Gill's parody of the Universal horror flick, actor Daniel Rubiano has to face the music when he reports to work the next morning.
A film projectionist longs to be a detective, and puts his meager skills to work when he is framed by a rival for stealing his girlfriend's father's pocketwatch.
With input from actor and writer Jan Hlobil, director and cinematographer Rene Smaal presents a film in the true surrealist tradition, in the sense that only 'found' elements were used, and that it defies interpretation based on ordinary cause-and-effect time sequence.
After spending the night together with her idol, Sinclair, Léa hopes to see him again soon. She still finds it difficult to quite grasp what has happened to her when a trivial accident brutally puts an end to her dream.
Because of his luxurious fur coat, a hammy actor becomes involved with crooks. His coat resembles the one that a gang's fence wears, and he is continually finding stolen jewelry in his coat pockets.
Now aged 17, Antoine Doinel works in a factory which makes records. At a music concert, he meets a girl his own age, Colette, and falls in love with her.
Most movie fans know that the first filmmakers liked to shoot trains entering stations. This example by Sussex film pioneer George Albert Smith illustrates why.