On the left of the screen, a small group of men lift the top off of what appears to be a turbine with a crane and continue to check the machine, tightening various parts with wrenches.
A chronicle of the Russian Revolution of 1917, from the bourgeois democratic February Revolution to the great socialist October Revolution and the final triumph.
In the background is a row of three-masted sailing ships, at anchor, their sales furled. In the foreground, a simple pier that's more like a yardarm juts out above the water; about 15 boys of six or seven years of age are on the jutting wood, and they jump off into the water below.
The film shows a parade down Fifth Avenue, New York. In the foreground many children, both black and white, can be seen following alongside the parade.
In this meditation on contemporary race relations, two black men discuss in voiceover certain “casual” events in life and cinema that are unnoticed or discounted by whites—gestures, hesitations, stares, off-the-cuff remarks, jokes—details of an ideology of repressed racism.
An elderly gentleman in a silk hat sits on a stool in front of a store on the main street of town. He has a telescope that focuses on the ankle of a young woman who is a short distance away.
A magician steps upon the stage carrying a hoop covered with white paper. Then in quick succession the flags of Germany, Russia, Ireland, England and China are brought forth, and from each a soldier is produced corresponding with the flag of each nation.
The professor shows his power to Mephisto by mysteriously placing a young lady in a swing. Mephisto then shows his power by making the young lady disappear from the swing, to the surprise of the professor.
It's what it says on the label: a panoramic shot of East Galveston, right after the Storm of the Century came through, ripping up trees and destroying house like they were made of cards.
"Nothing new, but an old thing done over again and done well. Some one has attempted to describe a kiss as "something made of nothing," but this is not one of that kind, but one of those old fashioned "home made" kind that sets the whole audience into merriment and motion, and has always proven a popular subject.
Marguerite is seated in front of the fireplace, Faust standing by her side. Mephistopheles enters and offers his sword to Faust, commanding him to behead the fair Marguerite.
A Victorian vaudeville routine is given the big screen treatment with camera tricks galore.Three characters straight off the vaudeville stage - the mischievous tramp, the anarchic clown and the hapless bobby - duke it out here in a sketch involving an exploding gunpowder barrel.
Comments
Have you watched Montreux, Fêtes des Narcisses: Marquises dans leurs chaises à porteurs yet? What did you think about it?