A traveller is shown to a room in an inn. After a brief dispute with the hostess and a porter, he is left to himself. But strange things begin to happen in his room, and before long he has created a disturbance that has everyone running to his room to find out what is going on.
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Informed by an underlying sense of anxiety and anguish, Michael Robinson’s Polycephaly in D nestles fragments of narrative within a collage of sound, image, and text that oscillates between the elegant and the discordant.
This apocalyptic linguistic comedy meditates on the relationship between language, meaning and social decay and is scripted from "double-speak" language found in a variety of media sources.
A young man in search of a place to live, finds a beautiful apartment that he will have to share with someone who is not the person he was waiting for.
Short film in which a group of children get to know the Enge Knijperman (the Grisly Pincher Man) who falls madly in love with the Onderstebovenvrouw (Upside-down Woman).
After the train station clerk is assaulted and left bound and gagged, then the departing train and its passengers robbed, a posse goes in hot pursuit of the fleeing bandits.
The German legend of a scholar's unholy pact with the Devil would have been very familiar to most moviegoers (at least European ones), so Georges Méliès' early cinematic treatment likely got away with simply offering a fancifully illustrated late episode without the earlier narrative context (however, spoken narration provides some of the latter in this restored print).
It seems as if there was no subject so mundane or seedy that it was considered unworthy of filming by Edison and his contemporaries at the turn of the century.
Shot at an unidentified location in New York City, the film shows several pieces of horse-drawn fire vehicles in motion: two hook-and-ladders; two steam pumpers; a rescue wagon.
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