A drunkard has taken off his overcoat and wishes to put in on again, but as he is not able to succeed in it. He asks aid of two bystanders, who hold the coat behind a lamp-post, so that when the drunk fellow has inserted his arms into the sleeves he finds himself fast to the lamp-post.
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Numerous women stand in rows at winding machines, taking material from large spools behind them. A male supervisor walks down the aisle, checking the work of the women.
It's one on those thingies you see at amusement parks. You get into a small gondola, the machine starts whirling about, and centrifugal force lifts the gondolas up in the air.
View of the Grand Canal in Venice from a boat believed to have been made in either 1901 or 1904 and as part of the series "Through Italy with the Bioscope" by George Albert Smith and Charles Urban.
A small child in the surf at the seashore. The child is evidently frightened at the rushing waves and stands terrified until a larger wave than usual comes along, whereupon the child turns and runs toward the shore.
A camera moving forward on an overhead crane gives a traveling view of men working on machinery. Carts carrying parts and pieces of machinery pass by on rails; cranes lift machinery; and men perform their various duties, including hammering objects.
A barmaid plies a swell with smiles and with cherries from a box that's just been delivered. When she refuses a cherry to a roughly-dressed tradesman who runs a tab at the bar, he pays off his debt in a huff, using all his week's pay.
A fairly venturesome piece of filmmaking for the era: Based on the Jules Verne story, the film utilizes a dozen cuts, irised lenses, panning shots and vivid tints to weave an intrepid and exciting story.
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