A cinema becomes the site of sexual intrigue when a man looking for romance in the dark follows a woman into the movies and finds himself molesting her husband instead.
Watch the official At the Cinema Show 1912 trailer in HD below.
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In this partially lost silent film, a man working as a motion picture extra in Hollywood westerns impresses a visiting sheikh with his boxing skills and is engaged to go to Arabia, where he becomes involved in warring and falls in love with a beautiful princess.
The daring convict no. 23, known as The Eel, escapes from prison and, after mocking his inept persecutors, saves the lives of three people in peril: a beautiful girl, her mother and an annoying suitor, only to get exhausted and almost drowned.
In this one, Max has run low on ink, so Ko-Ko finishes drawing himself and then heads over to the camera room, where he creates his own characters, a mechanical dancing Dresden doll with whom he falls in love and a couple of automaton musicians.
Mr. Hurry-Up gets dressed in a rush, and then races down to breakfast. After a few quick bites and a couple gulps of coffee, he races out the door and heads to work.
Popular movie trailers from 1912
These some of the most viewed trailers for movies released in 1912:
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SILAS WILSON realizes that his business is being run to the ground, and that he cannot longer compete with the newer foundries unless he makes radical changes in his methods and employees.
The boy Is a bachelor of thirty who by diligence and perseverance is on the road to success. The boy's success gains him introduction into fashionable and aristocratic circles.
Alkali is considered the ranch seamstress by the boys on Hard-Up, and consequently has to sew buttons on coats and do other sewing stunts that finally wear on his nerves and decide him on the matrimony thing.
Otto Beckert has taken to his cousin, Aase, who has promised her heart to Tage Henning. In the pursuit of her love, Otto tries to tear the two lovers apart – and he succeeds! A single misstep and Aase ends up in Otto’s grateful embrace.
A mad sculptor, searching for the perfect realization of "the mask of horror", places himself in front of a mirror after smearing blood over himself with the glass of an oil lamp.
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