Rapid advancement in film technique is seen in His Great Uncle’s Spirit. Especially in the opening theater sequence, and in the climactic “transformation” sequence, several different shots are edited together to create a fluid, dynamic scene. Cinematography shows the first spark of flexibility with a couple of tilting movements. There is a new energy in direction with strong fore-to-back staging. There are also some insert close-ups and some relatively unusual medium close-ups of action.
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Esmeralda Foster, an attractive girl, is very much impressed with Duncan Miller, a crafty country swain, who makes love to Esmeralda because of her father's wealth.
The Rev. Frank Speakman has been to a rural congregation, and is entertained by the members. He is considered a fine catch matrimonially and the ladies set their caps for him.
Two businessmen need to hire a stenographer, but their wives get suspicious when they notice a parade of beautiful young women entering and leaving their husbands' office.
Out in the farm-lands near Portland, the Widow Walters lives with her daughter Ethel. As far as affections are concerned, those of the widow are confined to her daughter, until Squire Lang, a fat old widower, with his son Harry, moves onto the adjoining farm.
The boy Is a bachelor of thirty who by diligence and perseverance is on the road to success. The boy's success gains him introduction into fashionable and aristocratic circles.
Max is doing the Tango with Miss Leonora in a Berlin night club. Being impressed by the performance a german Baron asks him to give his family a dancing lesson.
Set in a tenement, a lonely confirmed bachelor occupies a room across the hall from a dour spinster. Children run amok in the hallways playing pranks on the two.
