One of the last films Georges Méliès made. By now, he was under contract for his former rival Pathé, where he made a few of his most lavish productions, including this one. Here, Méliès performed in front of the camera as the Devil […]. His incarnation of Satan this time is a sprightly antagonist who kidnaps a princess by locking her in a cage and taking off through the sky in a dragon-pulled carriage. […]
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A struggling writer believes a secret from his past has come back to haunt him. Paranoia and guilt take over as he tries to figure out who or what has been plaguing him with increasingly violent attacks.
Following the death of her father, Renée goes back home to Saguenay for the funeral. Forced to empty her late father’s house, she finds a gigantic mess, the result of years of hoarding.
Family tensions are slowly eroding what should have been a carefree summer for the young boy Jakov. A series of events ending in tragedy will incite his emotional revolt against the grown ups, but also his sense of guilt.
On a secluded prairie farm, adolescent boys labor in wheat fields for a sexually predatory warden and his farmhands, who threaten to feed them to a voracious beast if they ever disobey.
The girl was young, pretty, and also a good businesswoman; When her father died she took up the reins of management and ran an orange grove with successful results.
The Rev. Frank Speakman has been to a rural congregation, and is entertained by the members. He is considered a fine catch matrimonially and the ladies set their caps for him.
Two businessmen need to hire a stenographer, but their wives get suspicious when they notice a parade of beautiful young women entering and leaving their husbands' office.
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