The surviving print of Mules and Gob Talk (the original introduction is missing) begins with spectacular vistas of Yellowstone National Park and majestic herds of buffalo (“a snooty lot” in the intertitles) and ends with “wild” deer being fed by tourists and foraging in garbage cans. Preserved by the Academy Film Archive in partnership with the National Film Preservation Foundation, New Zealand Project, in 2012.
Watch the official Mules and Gob Talk 1920 trailer in HD below.
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A film's art director is in charge of the set, from conception to construction to furnishing. This short film walks the viewer through art directors' responsibilities and the demands on their talents.
A man of humble beginnings and honest intentions rises to power by nefarious means. Along for the wild ride are an earnest reporter, a heretofore classy society girl, and a too-clever-for-her-own-good political flack.
Hud Bannon is a ruthless young man who tarnishes everything and everyone he touches. Hud represents the perfect embodiment of alienated youth, out for kicks with no regard for the consequences.
This short focuses on the job of the costume designer in the production of motion pictures. The costume designer must design clothing that is correct for the film historically and geographically, and must be appropriate for the mood of the individual scene.
In New York City, an insolent pickpocket, Skip McCoy, inadvertently sets off a chain of events when he targets ex-prostitute Candy and steals her wallet.
Apu, now a jobless ex-student dreaming vaguely of a future as a writer, is invited to join an old college friend on a trip up-country to a village wedding.
Apu and his family have moved away from the country to live in the bustling holy city of Benares. As he progresses from wide-eyed child to intellectually curious teenager, eventually studying in Kolkata, we witness his academic and moral education, as well as the growing complexity of his relationship with his mother.
In a dilapidated rural mansion, the last generation of the degenerate, inbred Merrye family lives with the inherited curse of a disease that causes them to mentally regress from the age of 10 or so on as they physically develop.
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Becky Warder constantly indulges in the telling of little white lies. In an innocent effort to ease the troubled marriage of her quarreling friends Eve and Fred Lindon, Becky meets secretly with Fred, thereby constructing a web of deceit that leads Eve to suspect Becky of trifling with her husband's affections.
In the film, Breamer’s character, Miriam Holt (“the girl who sees around corners”), proves her psychic powers by locating children who went missing during the war.
Even though the Gommesens have been married for 25 years, they are still in love. They wake up happy on their silver wedding anniversary, but the peaceful atmosphere does not last.
The carefree Countess Evelyn lives a life of luxury at her people’s expense. Even her 25th birthday must be celebrated with a bang, even though the coffers are empty and the people are waiting for their paychecks.
Notorious pirate Joaquin Santos lives by the saying, "Dead Men Tell No Tales". He conspires with the prominent Squire Rattray to take over and plunder the Lady Jermyn, a ship carrying a considerable amount of gold, and then destroy the ship and kill its crew.
Wealthy cripple Markley finances the education of blacksmith's daughter Ruth. When she returns to their small town he asks to marry her, but she runs off with city worker Jim Dirk who is then killed in a subway accident.
She was a very modern young woman, was Miss Hobbs. Her ideas were about fifty years ahead of time. For one thing she hated men, thought them all brutes.
Mrs. John Cleveland, victim of an overly-jealous husband, adopts a child but, fearing to bring it into her own household, furnishes another home for it, and places the little girl in charge of a nurse.
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