What remains, unedited, of the first episode of a serial by several hands, subject to a form of supervision-control by Fischinger. It opens with an extremely happy image (a "creative hand" which subsequently returns from time to time) — with shading and movements which appear to have been achieved by the use of the Rotoscope — characters who evoke the commedia dell’arte, in a somewhat joyless tone, but visually dramatic and with echoes of "caligarism". Enno Patalas would like to visit the other surviving episodes, better to understand the spirit of the operation conceived by Louis Seel, designer emeritus and the inspiration of the project. Preserved by the Academy Film Archive in 2000.
Watch the official Münchener Bilderbogen: Pierette Nr. 1 1924 trailer in HD below.
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A little boy pulls out one Martian toy from a vending machine and it turns into a real alien who takes him to his planet, where he is surronded by the toys from the vending machine, but much bigger.
A father discovers that his son floats, which makes him different from other kids. To keep them both safe from the judgement of the world, Dad hides, covers, and grounds him.
Three women, three lives in parallel worlds, until the moment a fly causes a bug in the system. The universe collapses, sex is in the air, bras are overrated and the stars twinkle.
A man meets a girl, sitting on a bench in the park. He imagines ways that he can impress her. But will he make the good impression when he gets the chance?
Maciste takes advantage again of a break of acting in order to wash away injustice and castigate the wicked, this time in the name of dynastic legitimacy.
Millie Stope lives with her grandfather on a remote island. Man-child Nicholas, a fugitive from justice, also lives there and is terrorizing them - and he's interested in Millie.
Mickey is a poor boy who lives with his Uncle Pat. While they're broke, they're also very happy. Since Pat hasn't legally adopted Mickey, Aunt Kate gains custody and takes him to her mansion.