In the best films of Hans Cürlis the acts of filming and painting coincide. The portrait of a portraitist. Max Oppenheimer (Mopp; 1885-1954) was a well-known portraitist and painter of musicians and orchestras. In this case he paints the portrait of Heinrich Mann, while Cürlis portrays Heinrich Mann as he is being portrayed by Mopp and Mopp as he is portraying Heinrich Mann. Thus the "Schaffende Hände" — Creative Hands — are both those of the painter and those of the film director Cürlis: these are hand-made films.
Watch the official Schaffende Hände: Max Oppenheimer 1924 trailer in HD below.
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Homesick for America, Jack and his pals get aboard a ship U. S.-bound disguised as entertainers. As entertainers they're flops, but evoke considerable mirth among the passengers by their efforts.
It's raining heavily, but at first the young husband and wife are not concerned about it. But the husband gets soaked on the way home from work, and then finds that the butler has left all of his suits hanging outside in the rain.
Mickey is a poor boy who lives with his Uncle Pat. While they're broke, they're also very happy. Since Pat hasn't legally adopted Mickey, Aunt Kate gains custody and takes him to her mansion.
Mathias, the evangelist, is in love with Martha. Johannes, Mathias brother tries to interfere. When Mathias and Martha are swearing fidelity, Johannes jealousy turns into blind hate and he sets the monastery on fire.
After graduating from a fashionable finishing school and touring Europe with her father, Selina Peake returns to the United States, where her father is accidentally killed after losing his fortune in a gambling den.
Two sisters, Julia Crossland and Evelyn Jefferson, happy lives are thrown into turmoil when a man from their past, Thomas Chadwick reappears unexpectedly.
Maciste takes advantage again of a break of acting in order to wash away injustice and castigate the wicked, this time in the name of dynastic legitimacy.
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