"A STORY OF WIVES AND GIGOLOS"09 April 1927Comedy70 mins
Law student Bob Ward, short on money, takes a job as a "dancing companion" at a roadhouse, where most of his clients are women looking for a little excitement outside their marriage. He falls in love with Sallie Smith, a cigarette girl at the roadhouse, but wealthy young wastrel Tom Mannion also has his eyes on Sallie. Tom persuades her to attend a party on his yacht, and since Sallie has had a fight with Bob over his job, she accepts. Complications ensue.
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Little Betty has a luxurious home, an army of servants and the costliest of toys. But she hasn't what a child wants most of all, other children to play with.
Peggy Raymond, a country girl, comes to New York with plans for a career in art and is taken by mistake to a Fifth Avenue address where she meets Dick Merwin, the scion of a wealthy family, whom she mistakes for her cousin.
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Vivacious Marie Prevost starred in this pleasant little Universal comedy about a flirt who stages moonlight dances at her father's country estate in order to provoke eligible men to fall in love with her.
William Bradberry, an absent-minded Egyptologist, turns from a henpecked husband to a dominating one who, unknown to his daughter Betty and wife, writes theatre musical comedy on the side.
Popular movie trailers from 1927
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Norma Talmadge plays a Mexican saloon singer, known as 'The Dove.' She is romanced by a young caballero and menaced by a Villa-like brute of a dictator, played by Noah Beery.
Hired ranch hand Tex Smith is smitten with Lucy Blake, who lives in the cattle settlement of Marco. Meanwhile, Indian chief Brave Bear despises the encroachment of white people and conspires with Sam Hardman to steal the town's cattle during a rodeo.
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The film starts with Lantz in person slapping some paint on the bottom of a canvas, turning it over and the paint drips down to create a forest that his dog pal can live in.
The film was created as a compilation of footage that was, in some cases, nearly fifteen years old, and included stock footage such as medical reels containing footage of venereal diseases and films depicting white slavery.
Peggy Raymond, a country girl, comes to New York with plans for a career in art and is taken by mistake to a Fifth Avenue address where she meets Dick Merwin, the scion of a wealthy family, whom she mistakes for her cousin.
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