A group of dated appliances, finding themselves stranded in a summer home that their family had just sold, decide to seek out their eight year old 'master'.
Using an array of gloves in different styles and from different historical periods, the film is a short history of the cinema - from silent movies via pastiches of Buñuel and Fellini and Close Encounters of the Third Kind to a futurist junkyard where tin cans become animated police cars in a city of urban decay.
Oswald wakes up grumpy and takes it out on his alarm clock, afterward trying his best to wake up the mechanical cow sleeping in the bed beside him, with limited success.
When her grandson is kidnapped during the Tour de France, Madame Souza and her beloved pooch Bruno team up with the Belleville Sisters—an aged song-and-dance team from the days of Fred Astaire—to rescue him.
In this one, Max has run low on ink, so Ko-Ko finishes drawing himself and then heads over to the camera room, where he creates his own characters, a mechanical dancing Dresden doll with whom he falls in love and a couple of automaton musicians.
Two married couples, Doris (Helen Chadwick) and John Manning (Gayne Whitman) and Clara (Dorothy Revier) and Herbert Bradley (Ray Ripley), each separate as a result of domestic arguments.
When his master is attacked and left speechless, Ranger is held responsible. On the lam from the Law, the canine hero links up with telegrapher Bill Brady and Bill's girlfriend Helen Meadows.
Norma Talmadge plays a Mexican saloon singer, known as 'The Dove.' She is romanced by a young caballero and menaced by a Villa-like brute of a dictator, played by Noah Beery.
Fired for crashing his aeroplane into his employer's ranch, Tom Mix is elected sheriff in a town with, as a title stated, "a high mortality rate among sheriffs.