Mabel plays an out-and-out crook, a Girl Bandit, no less. And she quickly hooks up with a male partner in crime, in this case a Gentleman Crook played by perpetually grinning Creighton Hale. Mabel seems a little livelier in this film than in some of her other late works. In the very first scene we find her hitch-hiking, and she's forced to make a mad dash for cover when Hale's car nearly hits her. Soon they team up and crash a swanky party in a mansion to steal a jewel from the host's safe.
Watch the official Should Men Walk Home? 1927 trailer in HD below.
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Presented as if it were an archive from the beginning of the 20th century, like a Pathé newsreel, this film tells the story of the life of Etienne-Jules Marey, the 19th century pioneer of photography and cinema, famous for studying animal and human locomotion.
A film crew is shooting a movie about guns and robbers, when real robbers turn up. Having to go home in robbers costume, they are mistakingly accused of a robbery.
Katusha, a country girl, is seduced and abandoned by Prince Nekludov. Nekludov finds himself, years later, on a jury trying the same Katusha for a crime he now realizes his actions drove her to.
Peggy Raymond, a country girl, comes to New York with plans for a career in art and is taken by mistake to a Fifth Avenue address where she meets Dick Merwin, the scion of a wealthy family, whom she mistakes for her cousin.
The film was created as a compilation of footage that was, in some cases, nearly fifteen years old, and included stock footage such as medical reels containing footage of venereal diseases and films depicting white slavery.
Douglas MacLean stars as The Young Thief, who falls in love with The Girl, played by Sue Carol. Alas, the Girl has been sold into the harem of The Wazir (Albert Prisco), forcing the Thief to sneak into the palace to rescue her.
The film starts with Lantz in person slapping some paint on the bottom of a canvas, turning it over and the paint drips down to create a forest that his dog pal can live in.
Two married couples, Doris (Helen Chadwick) and John Manning (Gayne Whitman) and Clara (Dorothy Revier) and Herbert Bradley (Ray Ripley), each separate as a result of domestic arguments.
