This documentary shows how the Berliner workers lived in 1930. The director Slatan Dudow shows through images: a) the workers leaving the factory; b) the raise of the rents; c) the "unpleasant" guest, meaning the justice officer that brings the eviction notice; d) the fight of classes of the houses of capitalists and working classes; e) the parks of the working class; f) the houses of the working class, origin of the tuberculosis and the victims; g) the playground of the working class; h) the swimming pool for the working class, ironically called the "Baltic Sea" of the working class; i) the effects of humidity of basement where a family lives, with one member deaf; j) one working class family having dinner while the capitalist baths his dog; k) the eviction notice received from an unemployed family and their eviction.
Watch the official How the Berlin Worker Lives 1930 trailer in HD below.
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Three women share their experience of navigating the app-world in the metro city. The sharings reveal gendered battles as platform workers and the tiresome reality of gig-workers' identities against the absent bosses, masked behind their apps.
Peter Watkins' global look at the impact of military use of nuclear technology and people's perception of it, as well as a meditation on the inherent bias of the media, and documentaries themselves.
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Film historians, and survivors from the nearly 30-year struggle to bring sound to motion pictures take the audience from the early failed attempts by scientists and inventors, to the triumph of the talkies.
Popular movie trailers from 1930
These some of the most viewed trailers for movies released in 1930:
A Walter Lantz's Oswald cartoon where he's looking for gold but soon becomes a gag fest with a singing waiter who ends his verses with someone "who cannot leave his mother", a piano player who keeps chugging beer, and Oswald and his peg-leg buddy (probably Peg-Leg Pete who eventually became Mickey's nemesis) saying in unison "Pop Goes the Weasel" with the rabbit getting the better of this buddy after he keeps hitting him.
Estrada, the chief government official of the region, has put a price on the head of José Savedra for causing the local people to rebel against his tax collectors.
Despite past friendliness, cattle ranchers Tom and Jim Bledsoe, father and son, fence off their range to prevent its use by neighboring sheep ranchers Tug Wilson and Buck Rankin, suggesting that they hope to end their recent loss of cattle.
In this drama, a 50-year-old married man (played by John Halliday) goes with his wife (Belle Bennett) and son (Junior Durkin) to a nightclub in a fancy hotel in Detroit.