Civilian Mary Dane and falsely imprisoned Bud Leonard love each other. Lou Rinaldo, who framed Bud to get Mary, and escape-minded King Callahan want to keep him in stir, but convict Bertie and the others, even including the Warden, set events in motion to prove that love and justice will prevail. NB: Prisoner numbers given in lieu of character names in many cast lists for this film do not match the numbers shown on the characters' uniforms, when these can be seen at all, and are not used in dialogue at all.
Watch the official Numbered Men 1930 trailer in HD below.
Depression-era bank robber John Dillinger's charm and audacity endear him to much of America's downtrodden public, but he's also a thorn in the side of J.
Dirty Harry Callahan returns for his final film adventure. Together with his partner Al Quan, he must investigate the systematic murder of prominent figures.
Billy Hayes is caught attempting to smuggle drugs out of a country. The courts decide to make an example of him, sentencing him to more than 30 years in prison.
Joe Sullivan is itching to get out of prison. He's taken the rap for his accomplice Rick, a sadistic mobster who owes him $50,000 from the job they pulled.
This primarily two-set programmer has a has-been criminal lawyer, Anthony Sommers (William V. Mong) wrongly accused of murder and follows the efforts of his daughter, Molly Sommers (Dorothy Revier), a nightclub singer and two newspapers reporters, Ted Palmer (David Newell) and the inaptly-named Drinkwater (Raymond Hatton), posing as a drunk, to clear him.
"A wealthy young man, through losing the bulk of his fortune, goes to Canada, where he encounters and loves the daughter of the scoundrel lawyer who has robbed him.
A Walter Lantz's Oswald cartoon where he's looking for gold but soon becomes a gag fest with a singing waiter who ends his verses with someone "who cannot leave his mother", a piano player who keeps chugging beer, and Oswald and his peg-leg buddy (probably Peg-Leg Pete who eventually became Mickey's nemesis) saying in unison "Pop Goes the Weasel" with the rabbit getting the better of this buddy after he keeps hitting him.
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