The optical company Bausch & Lomb of Rochester, New York, contracted Watson and Webber to create this corporate industrial film to showcase the company’s extensive catalog of lenses and other optical instruments, displaying their practical applications in industry and everyday life. The Eyes of Science easily straddles the fields of avant-garde and industrial filmmaking, making both a fascinating object of form and style, as well as a highly educational, entertaining, and informative piece of film and industrial history. Originally 45 minutes.
Watch the official The Eyes of Science 1930 trailer in HD below.
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Documentary by Portuguese Silvino Santos, about the Amazon, its flora, fauna, its inhabitants and among other wonderful images from the beginning of the 20th century with alternating close-up shots of caimans, jaguars and tropical flora with footage of Indigenous rituals--including some of the earliest known moving images of the Indigenous Witoto people--and longer sequences showcasing the region’s extractive industries: rubber, the Brazil nut, timber, fishing, even the egret feathers that were a staple of women’s fashion at the time.
In the year 4000, the Daleks conspire to conquer the Solar System. Their scheme involves treachery at the highest levels and a weapon capable of destroying the very fabric of time.
The Morning Sun Shines is a fiction-documentary film by Kenji Mizoguchi and Seiichi Ina. The film is a combination of a drama about a reporter, and documentary footage about newspaper production.
This mostly lost film is often confused with director Paul Wegener third and readily available interpretation of the legend; Der Golem, wie er in die Welt kam (1920).
On May 1st, unions all over Japan celebrate May Day, the international day for workers. Workers gather together at parks and hold demonstrations and parades.
When a group of idealistic young men join the German Army during the Great War, they are assigned to the Western Front, where their patriotism is destroyed by the harsh realities of combat.
A Walter Lantz's Oswald cartoon where he's looking for gold but soon becomes a gag fest with a singing waiter who ends his verses with someone "who cannot leave his mother", a piano player who keeps chugging beer, and Oswald and his peg-leg buddy (probably Peg-Leg Pete who eventually became Mickey's nemesis) saying in unison "Pop Goes the Weasel" with the rabbit getting the better of this buddy after he keeps hitting him.
