Unfinished pre-Code era film consisting of three sections with past performers from the stage and the vaudeville circuit, then-present-day performers and up-and-coming performers. Musical excerpts were later used in Broadway to Hollywood (1933), Nertsery Rhymes (1933), and Roast-Beef and Movies (1934). "The Lock Step" was later used in That's Entertainment! III (1994)
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A turf war has been raging in Oldtown for generations. On one side, The Syndicate - an evil gang of crank-head misfits, who has been set on muscling the San Diego family out of the parcel of land they own in the center of town.
When dosed with cosmic rays, four intrepid astronauts are given incredible powers. They decide to form a superhero group called the Fantastic Four to fight their arch-enemy, Dr.
When a successful television writer's daughter becomes the interest of an aging filmmaker with an appalling past, he becomes worried about how to handle the situation.
Unreleased Texas Chainsaw Massacre spin-off revolving around the character Chop-Top. The film acts as both a prequel and a sequel to the first and second films.
Following a bungled robbery, three violent criminals take a young woman, a middle-aged man, and a child hostage and force them to drive them outside Rome to help them make a clean getaway.
A pair of young student doctors get involved in a secret society of surgery fetishists and monster makers called the "Cutters Club", overseen by the maddest of doctors.
The wealthy Rodney Langford, who dreams of going on the stage, hopes to fulfil his ambitions by buying a failing revue called 'Raise the Roof', starring Maisie Grey.
An adaptation of W. Somerset Maugham's The Circle. A young woman married into an aristocratic English family finds life with her husband dull and decides to elope with a Canadian.
Lieut. Robert Banks, an American aviator on leave in Paris, meets Mary Gordon, a young American who lives abroad, but their romance is cut short by his return to the front.
A Walter Lantz's Oswald cartoon where he's looking for gold but soon becomes a gag fest with a singing waiter who ends his verses with someone "who cannot leave his mother", a piano player who keeps chugging beer, and Oswald and his peg-leg buddy (probably Peg-Leg Pete who eventually became Mickey's nemesis) saying in unison "Pop Goes the Weasel" with the rabbit getting the better of this buddy after he keeps hitting him.
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