Bosko is a doughboy in the Great War. Bullets and bombs are everywhere. (A bomb even blows up the title card.) Bosko and his fellow infantrymen are hardly safe in their trench. Bosko is happily eating from a pan full of beans when a bomb hits the pan and destroys his meal. Bosko misses Honey; he pulls out her picture and kisses it. A cannonball tears through it, making her head a gaping hole. Now Bosko is angry. He vows revenge but the moment his helmet appears above the trench, it’s hit with dozens of bullets, knocking him back down. Another soldier briefly cheers him up with harmonica music. Bosko gets his chance to be a hero when his buddy swallows a cannonball.
Bosko is a construction worker who impresses Honey by making music from everything in sight, including a decapitated mouse, a typewriter and a goat filled with hot air.
On a tropical island, a native boy sings "Pagan Moon" to his sweetheart. Later, he plays music underwater with an octopus-pianist and other jazz-loving sea life.
An expectant father rooster fetches doctor stork, who comes out with a basket full of white chicks and one little black one, who gets crowded out of the food.
After Acme products fail him one too many times in his dogged pursuit of the Roadrunner, Wile E. Coyote decides to hire a billboard lawyer to sue the Acme Corporation.
Among the strategies that fail in Wile E. Coyote's attempts to catch the Roadrunner: glue on the road, a giant rubber band, an outboard motor in a wash tub, and dressing in drag as a female Roadrunner.
The last Goopy Geer cartoon. The king returns to his castle, and asks where the queen is; she's in the parlor, and won't be seen, according to the title song.
A smart young manicurist works in a hotel where she earns big money by tricking businessmen by persuading them to do certain deals where she has a commission.
A truck driver "too lazy to work and too nervous to steal" gets mixed up in racketeering. Naturally his underhanded business practices make him a pillar of the community.
Katusha, a country girl, is seduced and abandoned by Prince Nekludov. Nekludov finds himself, years later, on a jury trying the same Katusha for a crime he now realizes his actions drove her to.
First of several filmed versions of a popular period operetta, in which an early 18th century noblewoman in Poland falls in love with a revolutionary student activist.
