How do you preserve part of the heritage sung in cafés where singers entertain customers? By bringing them to the screen of course! And here’s how La boiteuse du regiment, La femme du roulier and Tout l’pays l’a su, famous songs from the popular French repertoire are to be found at the cinema on film and set to music. La boiteuse du régiment belongs to barrack-room comedy where a soldier pines for a beautiful lame woman who prefers to visit the officers rather than the soldiers, the la femme du roulier is desperately looking for the latter in all of the town’s taverns; in tout l’pays l’a su you have a whole village gossiping, always on the lookout for spicy, malicious bits of gossip.
A truck driver "too lazy to work and too nervous to steal" gets mixed up in racketeering. Naturally his underhanded business practices make him a pillar of the community.
When a criminal named King Fu who has terrorized a city substitutes himself for a stage actor who resembles him, the staff and spectators at that night's show think the actor is giving an unusually good performance.
During a rainstorm at a remote manor house, Richard Crayell plays host to several guests. At nine o'clock sharp, he excuses himself from the card table to take his medicine, promising to return soon.
First of several filmed versions of a popular period operetta, in which an early 18th century noblewoman in Poland falls in love with a revolutionary student activist.
Black Coffee is a 1931 British detective film directed by Leslie S. Hiscott. Based on the 1930 play Black Coffee by Agatha Christie featuring her famous private detective Hercule Poirot, it stars Austin Trevor as Poirot with Richard Cooper playing his companion Captain Hastings.
A tale of juvenile delinquency, about a high-school student neglecting his studies, partying hard, falling in with the wrong crowd and finally finding himself on trial for murder committed during a robbery.
