"Bartosch showed that animation could be poetic... It was Bartosch who first dared to give animation the dimension of a great art, trusting it to voice his pain, to lay bare his heart, to tell of his hope for a better future - which he never saw." - Alexander Alexeieff and Claire Parker, 1969
As her friends prep for a Life Day holiday celebration, Rey journeys with BB-8 on a quest to gain a deeper knowledge of the Force at a mysterious Jedi Temple.
For anyone who has ever confronted a difficult decision in which none of the solutions seems like the right one, CROSSROADS will have a special resonance.
Set in a suffocating over-commercialized future, a young boy's desire for success and status leads him into a terrifying and deadly new reality through the lens of a mysterious VR game.
Augusta kisses her reflection in the mirror, only for it to turn into a toad. The toad comes out of the mirror, and changes to a prince when she kisses it - but as usual, everything goes wrong.
An ancient Egyptian priest named Imhotep is revived when a British archaeological expedition finds his mummy and one of the researchers accidentally reads an ancient life-giving spell.
Stephan Gregorovitch, the unwilling king of a bankrupt Ruritanian country, along with his hucksterish chancellor and musically-inclined bodyguard, travel incognito to London for some fun.
The architect Georg Wall is sitting in his spacious Stockholm apartment. He has been waiting several hours since lunch for his significantly younger wife, Lola Wall, to appear.
A foreword warns against the peril of yellow journalism, and the story illustrates it by following events in the upstate New York town of Cornwall after prominant financier George Ferguson is killed.