"LONELY IN THE MIDST OF MILLIONS"14 April 1933Drama, Romance62 mins
While Peggy deeply falls in love with Jimmy, her best friend Millie becomes increasingly frustrated with men and very jealous with Peggy, so she tries everything to destroy the new love.
A tormented jazz musician finds himself lost in an enigmatic story involving murder, surveillance, gangsters, doppelgängers, and an impossible transformation inside a prison cell.
Bedraggled college professor Michael Faraday has been vexed — and increasingly paranoid — since his wife's accidental death in a botched FBI operation.
A charming psychopath tries to coerce a tennis star into his theory that two strangers can commit the perfect crime by exchanging murders—each killing the other’s most-hated person.
When a group of idealistic young men join the German Army during the Great War, they are assigned to the Western Front, where their patriotism is destroyed by the harsh realities of combat.
In 1920s Chicago, Italian immigrant and notorious thug, Antonio 'Tony' Camonte, aka Scarface, shoots his way to the top of the mobs while trying to protect his sister from the criminal life.
A circus' beautiful trapeze artist agrees to marry the leader of side-show performers, but his deformed friends discover she is only marrying him for his inheritance.
Prim professor Immanuel Rath finds some of his students ogling racy photos of cabaret performer Lola Lola and visits a local club, The Blue Angel, in an attempt to catch them there.
A lover selflessly steps aside to let her guy go so he can hook up with a rich dame. Sadly, the goodie good girl ends up marrying some scum bag gambler.
Medical student Antti Ahonen, who is fighting tuberculosis, finds himself in the middle of a love triangle with his friend Heikki Huhtamäki and his crush Helmi Hirvinen.
The first film adaptation, and most faithful, of Noel Coward's 1929 operetta Bitter Sweet. This tells the story of Sarah Linden's romance, the tale begins with Sarah, now older, reminiscing about her first love.
Film directed and scripted by John Dalton at the beginning of his stay in Argentina. Alton decided to make an independent project under the name of Alton Films, and summoned Luis Sandrini to star it.
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