Part religious allegory and part church pageant, it presents the heavenly trial of a woman who has died giving childbirth out of wedlock. The jailer wears a mask death's head mask and a nun's habit with a skull and crossbones on the front and God sits on an altar, flanked by angels, while the devil attempts to convict the woman for her sins. Shot with a handheld camera that doesn't always remain steady or keep the scene in frame, it is full of religious imagery and evocative folkloric elements, with flashbacks to the woman's life that provide a realism in sharp contrast to the allegorical pageantry. It shows its amateur origins, the texture, the pageantry, and the allegorical and ritualistic elements also looks forward to the American Underground cinema of Kenneth Anger, Curtis Harrington, and others in the 1950s and 1960s.
A space-obsessed man gets the opportunity of a lifetime thanks to a Mars colonization program but finds his plans compromised by his feelings for a woman who brings him down to Earth.
Aisha, a Senegalese immigrant who takes a job as a nanny for a wealthy white family in New York City, finds herself consumed by unsettling visions and a growing rage.
Tala, a London-based Palestinian, is preparing for her elaborate Middle Eastern wedding when she meets Leyla, a young British Indian woman who is dating her best friend.
Soyo, a quiet high school student, discovers inline skating. Mesmerized by the elaborate skating skills of Mogi, a member of the group, Soyo joins their team.
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Verdict: Not Guilty (1933 Eloyce Gist James Gist)
Part religious allegory and part church pageant it presents the heavenly trial of a woman who has ...
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