Part religious allegory and part church pageant, it presents the heavenly trial of a woman who has died giving childbirth out of wedlock. The jailer wears a mask death's head mask and a nun's habit with a skull and crossbones on the front and God sits on an altar, flanked by angels, while the devil attempts to convict the woman for her sins. Shot with a handheld camera that doesn't always remain steady or keep the scene in frame, it is full of religious imagery and evocative folkloric elements, with flashbacks to the woman's life that provide a realism in sharp contrast to the allegorical pageantry. It shows its amateur origins, the texture, the pageantry, and the allegorical and ritualistic elements also looks forward to the American Underground cinema of Kenneth Anger, Curtis Harrington, and others in the 1950s and 1960s.
Aisha, a Senegalese immigrant who takes a job as a nanny for a wealthy white family in New York City, finds herself consumed by unsettling visions and a growing rage.
A space-obsessed man gets the opportunity of a lifetime thanks to a Mars colonization program but finds his plans compromised by his feelings for a woman who brings him down to Earth.
Tala, a London-based Palestinian, is preparing for her elaborate Middle Eastern wedding when she meets Leyla, a young British Indian woman who is dating her best friend.
Soyo, a quiet high school student, discovers inline skating. Mesmerized by the elaborate skating skills of Mogi, a member of the group, Soyo joins their team.
Paula, a young art student, witnesses the assassination of her father, a university professor. Frustrated by the local police she starts to investigate the murder herself.
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Verdict: Not Guilty (1933 Eloyce Gist James Gist)
Part religious allegory and part church pageant it presents the heavenly trial of a woman who has ...
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Self-made businessman Sir Grant Rayburn is obsessed with making money to the exclusion of all else. He shows little interest in his daughter Jill and is irritated when she falls in love with, and wishes to marry, a young man named Tom.
Film directed and scripted by John Dalton at the beginning of his stay in Argentina. Alton decided to make an independent project under the name of Alton Films, and summoned Luis Sandrini to star it.
All 12 jury members who sent an innocent man to the gallows are gathered together for a demonstration of how convictions can be made on circumstantial evidence.