A low-budget production by Film Art Productions, a unit established by B. Vivian Braun and Irene Nicholson. Braun and Nicholson were the editors of Film Art, a film journal covering experimental and modernist filmmaking. This film, made with a hand-held camera, is directly related to the major interests of the journal in two main ways: firstly, it reflects its interest in 'poetic' filmmaking, stressing strong visual composition; secondly, it reflects an interest in modernist themes, notably rationality and mechanisation.
Bobby Clark and Paul McCullough take to the streets as pots and pans salesmen, wreaking havoc door to door with their demonstrations of their cookware.
After having been swindled out of all their money by a crooked business manager, formerly wealthy socialites Jerry and Carol discover that they owe their chauffeur and maid back wages they are unable to pay.
Heiress Hedda Nillson certain that her family is about to lose all its money, takes a job as a maid. After the usual trials and tribulations, Hedda falls in love with humble chauffeur Eric Landstrom.
Ruth Raymond works on the telephone switchboard of a large NYC office building. One day, a private detective informs her that she is actually the daughter of railroad tycoon Luke Carson, and that she had been kidnapped as a baby 14 years ago by Luke's vindictive brother Elwood, and placed with strangers.
Mazie, a poor orphan girl, is mistreated by cruel farmer Slag and his wife for whom she works. Mazie, who is growing into a woman, does not like they way Slag has been looking at her lately.
