Directed and filmed by Frank Hurley for Cinesound, this short industrial documentary captures the realities of 1930s mining in Broken Hill. This film opens with dramatised historical re-enactments of Captain Charles Sturt’s 1844 expedition and Charles Rasp’s 1883 silver lode discovery. Utilising extensive cable networks and specialised camera filters to overcome extreme dark and heat, Hurley takes his camera 2,000 ft below the surface. The footage captures miners drilling rock, pit ponies hauling ore cars, and an explosive rock blasting arrangement. Above ground, it documents men operating heavy machinery to extract zinc, lead, and silver deposits, and the refining of the raw minerals.
Documents the cultural and ecological impacts of coal stripmining, uranium mining, and oil shale development in Utah, Colorado, New Mexico, and Arizona – homeland of the Hopi and Navajo.
Brought by poverty, Petang and Cereno are driven into the realm of child labor to live by the clock. Film Weekly follows their journey as they step back to breathe and to be children once again.
Peyton Wells (Ben Lyon) rescues Judy Jones (Joan Marsh) from a very dull young man, at a sedate party given for her by her multi-millionaire grandfather Silas P.
Frankie Reynolds (Frankie Darro' ), youngest member of a family of jockeys, borrows $4.85 (yes, four dollars and eighty-five cents) from his sister Phyllis (Gladys Blake), who is not a jockey, to buy a crippled colt from the stables owned by Clay Harrison (Kane Richmond).
