La Contessa di Parma was the sole directorial contribution by Allesandro Blasetti in 1937. The first of several expensive costume dramas upon which the director established his international reputation, the film stars Elisa Cegani as Marcella, a model in the dress shop owned by enterprising Umberto Melnati. To improve his business, the owner instructs his models to dress up as society ladies and attend all the best parties. And that's how humble little Marcella comes to be mistaken for the popular Duchess of Parma -- and by extension, how our heroine wins the love of football hero Gino Vanni (Antonio Centa). A little wanting in the way of plot or logic, La Constessa di Parma is at least consistently good to look at.
Agent Pete Garland is fired by society singer Monica Barrett after he got her a new radio contract, because she thinks her lawyer friend Teddy Leeds fits in better with her social status.
A politically charged story about a man who dabbles in crime, with disastrous results, to gain the capital he needs to purchase a school where immigrants are prepared for American citizenship.
Miss Klutz is the worst dancer that has ever enrolled at the school ran by Maestro Boris Cobblier, and he is even considering giving her money back to get rid of her, a consideration not to his financial liking.