Arne Sucksdorff’s first film for Svensk Filmindustri, this lyrical short follows a fox cub through his playful explorations and predatory instincts in the Swedish forest. Blending moments of enchantment with unsentimental depictions of cruelty, the film captures the cycle of survival among animals with striking rhythmic editing and sensuous close-ups of fur, eyes, and forest textures. Rich in light and detail, Summer’s Tale became an enormously popular nature film and established Sucksdorff’s reputation for poetic documentary.
Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years.
Evocation of the Oradour-sur-Glane Massacre on 10 June 1944, when 642 of its inhabitants were slaughtered by a Nazi Waffen SS company, based on a visit to Diors' Museum of the Three Wars" and archive photographs.
They set off, looking for work in far-off places, but disappeared along the way. Inspired by Shiv Kumar Batalvi’s “birha” poetry, the film traces the longing on both sides: on the part of those who are missing, and those that wait for them to return.
Switzerland in the 13th century: Shot in the middle of World War II, this classic film returns to the origins of Switzerland and turns about the problem of the small country against a big power: Resist or obey?
Based on a Victor Hugo play, and scored with music from the later opera by Giuseppe Verdi, the film tells about a hunchbacked clown whose beautiful daughter falls in love with the lecherous king.
When his car breaks down out in the country, Sniffles the mouse takes shelter in an old mill, where he meets up with "Batty," a non-stop-talking little bat who later save Sniffles from a hungry cat.
