Soedrajat abuses his high social status in order to womanise and becomes his rich uncle's heir despite the latter having a son, the kindly and noble Soelarsa. The uncle is disappointed with Soelarsa and considers Soedrajat the better man. Being considered high class, he is unwilling to associate with people of the lower classes. Ultimately Soedrajat falls for a beautiful young woman, Koestijah. Meanwhile, Soelarsa saves Koestijah's life while driving a truck through her village; the two fall in love at first sight. By manipulating Koestijah's father, Soedrajat arranges for her to marry him.
Serials usually spawned feature film versions, but with this film, it was the other way around. A 1932 Buck Jones Western, White Eagle was made into a serial nine years later, again starring Jones in the title role, a (supposedly) Native American Pony Express Rider defending his people against a gang of evil Whites.
The title might sound shocking, but the red hands mean, the hands which drag fishnets. Ohama, 15 or 16 years old girl lost her family and lived alone in a fishermen's village.
After Hou Yao moved to Singapore in 1940, he continued to work for the Shaw Brothers under Malay Film Productions and made a handful of films, including Bermadu and Hanchor Hati, before being murdered in 1942.
This short starts out as a documentary. In a dramatization, Eadward Muybridge's photographic experiments prove that when a horse gallops, there are times when all four of the animal's feet are off the ground.
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Have you watched Wanita dan Satria yet? What did you think about it?
