The third in a series of films featuring François Truffaut's alter-ego, Antoine Doinel, the story resumes with Antoine being discharged from military service.
A film projectionist longs to be a detective, and puts his meager skills to work when he is framed by a rival for stealing his girlfriend's father's pocketwatch.
The Harts find themselves in the middle of a dangerous murder plot, but it isn't clear if the plot it a famous author's fictional murder-mystery, or an actual murder plot, until Jonathan finds himself the unsuspecting target of a killer.
Ronnie Jackson is a lowly baby photographer who secretly fantasizes about being a private detective. When a lovely baroness actually mistakes him for one and asks him to help locate her missing husband, Baron Montay, Ronnie finds himself agreeing.
Based on a Victor Hugo play, and scored with music from the later opera by Giuseppe Verdi, the film tells about a hunchbacked clown whose beautiful daughter falls in love with the lecherous king.
When a small town veterinarian discovers that his just-graduated daughter is a gold-digging elitist, he devises a plan to help her rediscover old-fashioned family values.
Serials usually spawned feature film versions, but with this film, it was the other way around. A 1932 Buck Jones Western, White Eagle was made into a serial nine years later, again starring Jones in the title role, a (supposedly) Native American Pony Express Rider defending his people against a gang of evil Whites.
This short starts out as a documentary. In a dramatization, Eadward Muybridge's photographic experiments prove that when a horse gallops, there are times when all four of the animal's feet are off the ground.
Julius Berge has an advertising firm in Stockholm together with his wife Sonja. The man with the ideas is their colleague Kurt Dal, who used to be engaged to Sonja.