The process by which girls are chosen for chorus line members in movie musical is shown. Numbers from popular 1930s musicals are then presented. These include "Don't Say Goodnight" from Wonder Bar (1934); "Lullaby of Broadway" from Gold Diggers of 1935 (1935) ; "Shadow Waltz" from Gold Diggers of 1933 (1933); and "By a Waterfall" and "Shanghai Lil" from Footlight Parade (1933).
Louis Prima, between song numbers, tells how he happened to get a job in a Hollywood cafe playing music while a couple, unrelated to anything else, play a slot machine in the background.
In this western, a ranch foreman and the bosses son go to a saloon to slake their thirst and find themselves in the midst of a battle started by the feisty saloon owner's wicked ex-husband who loots the safe in the ensuing scuffle.
A police lieutenant and a patriotic professional gambler, rivals in life and love, combine efforts to corner a gang of Nazi saboteurs operating out of a barber shop, in which their mutual girlfriend works, and unmask its secret leader.
Carmelita and Uncle Matt find themselves in a haunted house, but the "ghosts" are actually enemy agents who are trying to frighten away visitors in order to develop a nitroglycerin bomb.
Hoping to increase its box-office allure by adopting the title of a popular song, Deep in the Heart of Texas (clap!clap!clap!clap!) was the first Johnny Mack Brown western of the 1942-43 season.
Pavel Hora offers his friend Jiří Pulpán a place to live. When they get home, they find out that the landlord has evicted Pavel to the yard because he found a love letter from his daughter Zuzanka.
Taavetti, the young master of Rantasuo, refuses to give up, even though frost destroys his harvest, a crooked logger steals his forest money, and a dishonest bailiff takes away his freedom.
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Have you watched Calling All Girls yet? What did you think about it?