Postwar Farms (MARCH OF TIME) will interest not only farmers but also those numerous urbanites who wonder wistfully how they might make out on five acres and a prayer. General answer: there is a chance for small farmers, through rural electrification and cooperatives, but not too gay or sure a one. Few or none of the returning soldiers who look forward to farming can be absorbed on the land; and the small farmer at best is threatened by the expanding immensity of 20th-century big-business farming. Most impressive—and to many, most depressing—shots in the film show the implacable march of incredibly proficient machines across vast acreages of California and New Jersey, with human beings assuming a relationship to the soil almost as impersonal as work in great factories, or in the bull pens of great companies.
This Traveltalk series short starts off in Denver, capital of Colorado. Known as a recreational and health center, it is noted for its beautiful parks.
Muggs and Glimpy, two East Side Kids in the army, return to their neighborhood, supposedly on furlough; actually, Muggs has been honorably discharged with a physical defect, but he tells no one of this.
Dan Stanton and Condon are foreclosing on a group of ranchers in order to gain a land-monopoly. They have one of the ranchers, whose property supplies the others with water, killed.
Mamsie catches Lulu making a mess of the kitchen, so she punishes Lulu. When Lulu asks, "How do you know that I made this mess?", the maid says sarcastically, "A little bird told me!" Angered that the bird outside her home snitched to the family's maid, Lulu goes after the bird with her slingshot.
