It shows the Prešeren House after it was opened as a museum, on the day when the authors found out about the German assault on Poland, reflected in a dark atmosphere of clouds traversing the Karawanks. The film reflects Förster’s fine feel for light and composition.
A young diplomat falls in love with a lady he has followed in the street and in order to establish a relationship, he introduces her into her house proposing a connection between Titì, the lady's dog and her Pekingese.
A piece of reportage realized by the Polish Army Film Studios at the end of the war. It tells a story of Warsaw children who started a camp in the summer of 1944 in Stoczek Lyczkowski.
Fearing that her niece Rosita will abandon her true love and enter into a marriage of convenience, doña Juanita tells her the story of when, many years ago, she fell in love with an accountant who worked in a circus.
One of the early films of Chhabi Biswas featuring him as a leading man, before he came to be associated with the dominating patriarch roles that have become iconic in Bengali cinema, the film is a tale of the love, relationships and ideals of two generations.