Urban utopia beckons in this idealistic vision of postwar Manchester - fascinating to revisit as Northern Powerhouses and city devolution return to the agenda. Sponsored by the city council, it's very ambitious for a local government film. Under the soaring, sweeping direction of Paul Rotha, it takes in themes of industry, energy, leisure and housing, present, past and future.
Slip and Sach are working for a local newspaper as a reporter and photographer, respectively. Slip wants to get the goods on a local gambling ring that is fixing sporting events, so he and Sach go undercover to expose the ring.
Stevie Carson, a newspaper reporter, and Danny Butler, the "morgue" manager on the same newspaper, set out to track down the killer of a colleague, a book-reviewer who was involved with a group of rare book forgers and whose sister has been convinced her editor-fiance, Bill Monroe, killed him.
A young bullfighter full of illusions triumphs in Mexico and decides to get married there and forget about his old Spanish girlfriend, who by then has just given birth to his son.
Convicted killer Jim Holden is rescued from the sheriff by his gang, led by Mason and Riley. He is out to get the Hathaway Stage superintendent George Bannister, who was responsible for his conviction and learns the Bannister, his niece (Kay) and Hal Hathaway, son of the stage line owner, are on a cross-country stage.
The owner of a cosmetics factory has made a contract with Radio Sibilla for the transmission of an evening program in which the products of his company are advertised.
Maggi continues her forever-ever efforts to crash Manhattan's top society, while Jiggs still mingles with his old construction cronies at the bar of Dinty Moore on 10th Avenue.
