Assignment: Tel-Aviv (Paul Falkenberg; United Palestine Appeal) is the clearest effort among the four to appeal to non-Jews. It is also the least effective. It is no more than a slightly humanized travelogue, in uneven color, narrated by the glossily chummy voice of Quentin (London Can Take It) Reynolds.
Maggi continues her forever-ever efforts to crash Manhattan's top society, while Jiggs still mingles with his old construction cronies at the bar of Dinty Moore on 10th Avenue.
Slip and Sach are working for a local newspaper as a reporter and photographer, respectively. Slip wants to get the goods on a local gambling ring that is fixing sporting events, so he and Sach go undercover to expose the ring.
This heartwarming British drama is based on Beth the Sheepdog, a novel by Ernest Lewis. The story concerns the efforts of various interested human parties to enter Beth in the All-England Dog Championship.
The owner of a cosmetics factory has made a contract with Radio Sibilla for the transmission of an evening program in which the products of his company are advertised.
Convicted killer Jim Holden is rescued from the sheriff by his gang, led by Mason and Riley. He is out to get the Hathaway Stage superintendent George Bannister, who was responsible for his conviction and learns the Bannister, his niece (Kay) and Hal Hathaway, son of the stage line owner, are on a cross-country stage.
In this short directed by Pietro Francisci, later known for hit swords-and-sandals titles such as 1958’s “Hercules” starring Steve Reeves, Lollobrigida appears to sing (she may have been dubbed) Italian folk song “Stornellata Romana.
Paris, 1857. While on trial for moral outrage, French writer G. Flaubert tells the court and the audience the true story of the heroine of his novel Madame Bovary, a sensitive but capricious woman whose desperate efforts to overcome the bourgeois conventions of a dull, provincial life led her family first to ruin and disrepute and finally to the abyss of tragedy.