An impressionistic short film celebrating Stockholm’s rhythms of life, blending images of its streets, waterways, people, and architecture into a visual “symphony.” Winner of the Academy Award (Oscar) for Best Short Subject, One-Reel in 1949 — the first Swedish film ever to receive an Oscar.
"The theme of the film HIDDEN CITIES is personal urban perceptions, which we call 'the city'. The city, as a living organism, reflecting social processes and interactions, economic relations, political conditions and private matters.
Belfast, it's a city that is changing, changing because the people are leaving? But one came back, a 10,000 year old woman who claims that she is the city itself.
A day in the city of Berlin, which experienced an industrial boom in the 1920s, and still provides an insight into the living and working conditions at that time.
Gubara was proud of the first color film in African cinema, which attempts to give an African response to the city symphony genre by capturing disparate images of daily life in Khartoum and setting it to music, particularly romantic Arabic songs.
Pikk Street is one of the most important thoroughfares of Tallinn’s Old Town. The picture playfully combines hidden camera footage with more observational images, employing shots from unusual angles; these are accompanied by specific sounds and interesting musical themes.
A "city symphony" film, produced to encourage Photographic Society of America members to attend their 1963 conference in Chicago, City to See is a surprising film.
Popular movie trailers from 1947
These some of the most viewed trailers for movies released in 1947:
The millionairess aunt of Errol's previously married wife is coming to visit, and since the aunt is dead set against divorce, the wife prevails upon Errol to pose as the butler, and brings back her inebriated first husband to pose as her current mate.
A beautician and her crooked boyfriend attempt to rob the bookie operation located in the back room, but when the plan goes wrong, they frame an innocent man.
The third of the Monogram series based on Ham Fisher's "Joe Palooka" comic strip, opens with Knobby Walsh, the manager of Joe Palooka trying to talk his way out of a traffic citation, and the story leading to that point is told in flashback as narrated by Walsh.
Giovanni used to be a humble, mild-mannered government clerk whose life was turned upside down when he met Giulio, a notorious forger who at once set about manipulating the over-confident man.
After the discovery of two murders, Commissioner Chabrier, of the French secret services, is investigating the disappearance of plans affecting the national defense of the country robbed by a gang of international spies.