Released by Transvideo Corporation of America, "Harlem After Midnight" was produced by Alexander, a distributor of African American films in the 1940s. The film features Billy Eckstine and his band with vocals by Eckstine and Ann Baker, and dancing by Nicky O'Daniel and Al Guster. The film was made in 1949 and photographed by Don Malkames.
A bizarre mechanic tells a traveler the story of a bank employee, Peppino Biancaneve, who with the help of a disc is trying to put together the words he would like to use to ask for the hand of the daughter of the jeweler Carlo Casertoni, but while he mulls over the sentences he should pronounce to his future father-in-law he comes across a strange individual who could be a bringer of bad luck: a jettatore.
Riders of the Dusk is another of Monogram's formula Whip Wilson westerns. Since the studio couldn't build an entire film around Wilson's bullwhip prowess, a plot was called for.
Noriko is perfectly happy living at home with her widowed father, Shukichi, and has no plans to marry -- that is, until her aunt Masa convinces Shukichi that unless he marries off his 27-year-old daughter soon, she will likely remain alone for the rest of her life.
Young Viscount Tony Pym wangles National Service leave on the pretext of standing as a Tory candidate for a local seat held by his family for generations.
Familiar radio voice Ben Grauer leads the viewer on a behind the scenes tour of the National Broadcasting Company studios -- both radio and television -- in Rockefeller Center and Hollywood.