A film about Oslo's parks. We visit Studenterlunden, Stensparken, Slottsparken, Frognerparken with Vigeland's children's ferry, St. Hanshaugen and Botanisk Hage on Tøyen. We see part of the new given to give Oslo a facelift: the "groundbreaking areas" in Iladalen and Torshov, with sheep projects, concerts and open-air theater for children. // Oslofilm was a series of public information films about life in and around Oslo, produced between 1940 and 1980. Funded by the state, the films offer valuable insight into postwar Norwegian society. A wide range of Norwegian filmmakers contributed to the productions, resulting in a rich variety of styles and expressions. Several of the films also possess notable cinematic qualities, standing out as more than just informational material. The Oslofilms represent a unique and important chapter in Norwegian film history.
Although first glance reveals little more than stones and sand, the desert is alive. Witness moving rocks, spitting mud pots, gorgeous flowers and the never-ending battle for survival between desert creatures of every shape, size and description.
Since the late 18th century American legal decision that the business corporation organizational model is legally a person, it has become a dominant economic, political and social force around the globe.
After 52 years of armed conflict the FARC guerrillas are about to hand over their arms in exchange for political participation and social inclusion of the poor.
For the family members of murder victims mourning is often postponed indefinitely. To unlock the trauma and begin the grieving, a method called restorative dialogue brings two parents - and the audience - eye to eye with the murderers.
A documentary which follows director Wim Wenders and Sean Naughton, the high-definition-video designer on UNTIL THE END OF THE WORLD, in Tokyo, and details the creation of the film’s groundbreaking high-definition sequences.
Sirkka-Liisa died alone with no one left to miss her. Elina happened to buy her home after her death and ended up with all Sirkka-Liisa's possessions from books to photos.
Newspaper reporter Nat Hearn returns home after serving in the Royal Air Force during World War II. When one of the paper's owners dies, the man's partner and son offers Nat a position as editor in return for his financial backing.
A film director, in bad standing with his studio, tries to turn a local carnival dancer into a "French" movie star and pass her off as his big new discovery.
