Belgian art historian and filmmaker Paul Haesaerts (1901–1974) made a significant contribution to the promotion of modern Flemish art. In the late 1940s, he started experimenting with the medium of film to practice a new form of lens-based art criticism. The understudied documentary "Quatre peintres belges au travail" (1952) presents Belgian artists Edgar Tytgat, Albert Dasnoy, Jean Brusselmans and Paul Delvaux at work in their studio. On a large sheet of glass placed in front of the camera, they each paint one of the seasons that also represent a stage in a person’s life. A close reading of this Kodachrome color film sheds light on the context of mid-century art reproductions, mass media and post-war Flemish culture. It also examines in what way this film operates as Haesaerts’s concept of cinéma critique, while raising questions as to the way Haesaerts attempted to reconcile the spatial art of painting with the temporal medium of film.
One Saturday morning, filmmaker Madison Thomas has a revelation: she’s just like her mother. As she thinks about a friend going through tough times, she feels the sudden urge to clean.
The 5th anniversary of the inner-German wall to West Germany and West Berlin is on the agenda. The necessity of erecting the border is illustrated by comparing the situation in 1939 and the situation in the summer of 1961 with regard to the "threat of intervention" by the Western powers.
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Documentary short film depicting the filmmaking activity at the Paramount Studios in Hollywood, featuring dozens of stars captured candidly and at work.
After a traumatic encounter, a young gay Egyptian joins the LGBT rights movement. When his safety is jeopardized, he must choose whether to stay in the country he loves or seek asylum elsewhere as a refugee.
"She Came Like a Wind" - Fabian Rosander works at a factory and is close to 50 years old. When a new employee named Lilly, a young beautiful girl, comes to the factory Fabians life takes a new turn.
The story revolves around Hussein, the son of Sheikh (Abdel Rahman), who travels to Alexandria for education, Hussein learns about the singer (Belbala) and falls in love with her and decides to marry her, attend (Ilham) daughter confused aunt and meet Hussein to ask him not to complete this marriage because A bad past for his love, Hussein avoids confusion despite his love for her, and tries to inspire the closeness to Hussein's cousin, Munir.
The charming Mr. Sampat weaves his way into theatrical company with his moneymaking schemes, only to cause the everyone involved to go bankrupt, including Malini, the young actress who has fallen in love with him.
When his grandfather dies, George Westcott (Patrick Doonan) returns home from India to collect his inheritance -- only to find that the will has mysteriously gone missing.
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