The sea, often treacherous, is the only source of living of the people of Nazaré. The film tells the story of António and his family, where no dreams are allowed. There is also the mourning of the woman in black wailing silently on the beach or waiting for their children lost in the sea.
More movie trailers, teasers, and clips from Nazaré:
Azougue Nazaré - EIFF Trailer
A bold and boisterous clash of cultures in rural Brazil. This energetic and vibrantly raw film from writer/director Tiago Melo offers a fascinating glimpse into the ...
Azougué Nazaré Trailer
EN CINES MARZO 2019 Tiago Melo - Brazil - 80 minutos El carnaval se acerca en el pueblo Nazaré da Mata y el choque de culturas emerge con fuerza ...
AZOUGUE NAZARÉ by Tiago Melo | Trailer | GeoMovies
This energetic and vibrantly raw film from writer/director Tiago Melo offers a fascinating glimpse into the subculture of Maracatu a performance-based carnival ...
Nazaré 1952 Filme Português
O mar muitas vezes traiçoeiro é a única fonte de vida do povo de Nazaré O filme conta a história de António e sua família onde não são permitidos sonhos Há ...
1952 - CINEMA PORTUGUÊS - «Nazaré»
1952 - CINEMA PORTUGUÊS - «Nazaré»
Popular movie trailers from 1952
These some of the most viewed trailers for movies released in 1952:
Veteran director V. Shantaram spins this bio-pic about poet and musician Honaji Bala, best know for popularizing the Lavani dance form and for writing the classic raga Ghanashyam Sundara Shirdhara.
Wacky rich woman subjects her husband, servants and friends to a series of elaborate masquerades, remodeling her house and wardrobe every couple of days to represent different historical eras or cultural milieux.
A former police detective turned private investigator is approached by two elderly sisters, who say that someone is terrorising them, but it turns out that the man they believe is responsible is long since dead.
Master Ghandour sets up the Iraqi woman's soul by writing a forged contract without her knowledge. He is thinking of solving this problem by marrying her, but (without knowing that it is a plan by Master Ghandour) she stipulates that she will not marry before her daughter, Malbasa, marries.
Two scriptwriters argue about the fate of Henrietta, a charming and gamine shopgirl. One favors a comical path for their heroine, who is overcome with sentimental love for a young photographer on Bastille Day.
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