01 September 1952 Drama 90 mins
Camillo Mastrocinque was one of many foreigners who came to Brazil in the 1950s to make films. The director of melodramas during the Italian fascist era directed this film, Areião (Inca Film, 1952), which could have spared Maria Della Costa. The film was renamed La priggione di sabbia to compete at the Venice Film Festival, but was rejected.
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Camillo Mastrocinque Director
Vitorio Cusani Producer
Camillo Mastrocinque Screenplay
Gino Talamo Editor
Francisco Brasileiro Short Story
Enrico Simonetti Original Music Composer
Ugo Lombardi Director of Photography
La prigione di sabbia Trailer
Brazil 01 September 1952
These some of the most viewed trailers for movies released in 1952:
29 February 1952
A tough customs man, out to get a youth smuggling tobacco into France across the Belgium border, falls for the jaded ex bar hostess the smuggler lives with.
15 November 1952
In 1865, a troop of Confederate soldiers led by Major Matt Stewart attack the wagon of gold escorted by Union cavalry and the soldiers are killed.
01 January 1952
Part of the Look at Life Rank series reels about ballon riding.
20 November 1952
20 years after the assassination of his father, the son of Lagardère seeks revenge.
01 January 1952
Film produced for a coalition of public service groups to combat racial and ethnic hatred. The narrative follows an emotionally insecure Chicago teenager whose bigoted thinking leads him to violence.
08 June 1952
Smuggler's Ball is the English-language title for this French-Belgian seriocomedy. The action takes place along the borders separating Belgium, Holland and France.
11 September 1952
Chinese Opera from Hong Kong directed by Lau Fong.
26 March 1952
A woman suspects that the local council is corrupt and building defective drains that could cause public health issues.
21 February 1952
Master Ghandour sets up the Iraqi woman's soul by writing a forged contract without her knowledge. He is thinking of solving this problem by marrying her, but (without knowing that it is a plan by Master Ghandour) she stipulates that she will not marry before her daughter, Malbasa, marries.
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Artwork, screen shots, trailers and other imagery is © 1952 Inca Film.
