Originally titled Nous Sommes Tout des Assassins, We Are All Murderers was directed by Andre Cayette, a former lawyer who detested France's execution system. Charles Spaak's screenplay makes no attempt to launder the four principal characters (Marcel Mouloudji, Raymond Pellegrin, Antoinine Balpetre, Julien Verdeir): never mind the motivations, these are all hardened murderers. Still, the film condemns the sadistic ritual through which these four men are brought to the guillotine. In France, the policy is to never tell the condemned man when the execution will occur--and then to show up without warning and drag the victim kicking and screaming to his doom, without any opportunity to make peace with himself or his Maker. By the end of this harrowing film, the audience feels as dehumanized as the four "protagonists." We Are All Murderers was roundly roasted by the French law enforcement establishment, but it won a special jury prize at the 1952 Cannes Film Festival.
The defense and the prosecution have rested and the jury is filing into the jury room to decide if a young Spanish-American is guilty or innocent of murdering his father.
Miserable critic, Brian Tanner, is famous for his vicious film reviews on his TV show Critical Eye. Over the years, he's grown to hate pretty much everything he sees, including his wife.
While pregnant with her second child, Kika faces the sudden death of her partner. Totally heartbroken, and broke, she sets her priorities straight : 1.
Agent Zero is a cop that uses her own methods for dealing with criminals. After she unlawfully kills a rapist in a violent fashion, she is sent to prison and stripped of her badge.
An LA police officer is murdered in the onion fields outside of Bakersfield. However, legal loopholes could keep his kidnappers from receiving justice, and his partner is haunted by overwhelming survivor's guilt.
In the 18th century, the pirates of Madagascar, lords of the Republic of Libertatia and masters of the Indian Ocean, live in an impregnable natural fortress, killing, robbing and plundering with impunity, so the British Navy hatches a daring plan to destroy them.
The story revolves around Hussein, the son of Sheikh (Abdel Rahman), who travels to Alexandria for education, Hussein learns about the singer (Belbala) and falls in love with her and decides to marry her, attend (Ilham) daughter confused aunt and meet Hussein to ask him not to complete this marriage because A bad past for his love, Hussein avoids confusion despite his love for her, and tries to inspire the closeness to Hussein's cousin, Munir.
A former police detective turned private investigator is approached by two elderly sisters, who say that someone is terrorising them, but it turns out that the man they believe is responsible is long since dead.
Veteran director V. Shantaram spins this bio-pic about poet and musician Honaji Bala, best know for popularizing the Lavani dance form and for writing the classic raga Ghanashyam Sundara Shirdhara.
We start in Rio de Janeiro, with the statue of Cristo Redentor on Mount Corcovado, the avenue along the beach, the beauty of an historic city, and the landmark, Sugarloaf.
