Dhoon (Tune or Passion) is a 1953 Bollywood film directed by M. Kumar. The film was produced by Silver Kings, a production company formed by Kumar and his then wife, actress Pramila.[1] The film stars Raj Kapoor, Nargis, Motilal, Kumar, Pramila,[2] E. Bilmoria, Leela Mishra and Kamal Mehra. Mehra was a lesser known comedian who started his career in 1951 with Naujawan. He went on to act in several films before starting his own production company Pride Of India under which he made films like Kismat (1968), Mahal (1969) and Naami Chor (1977).[3] The music was by Madan Mohan.
A Handsome young man gets erotically involved with a Sultry seductive wife of an impotent man only to find himself tangles in a dangerous web of lies and cheat.
A happy-go-lucky Mumbai suburban housewife Sulochana, fondly known as Sulu, lands the role of a night RJ, resulting in drastic changes to her routine life.
The film chronicles the ascent of Shivaji, the great Maratha warrior who fought for liberty from the erstwhile Muslim rulers in order to establish a secular Hindu kingdom.
Widow re-marriage is still considered a sin in progressive society of India even today. Film Amar Prem raise questions on mentality of Indian society and cover issues like widow marriage and honor killings.
Twins (both played by Infante) are separated while very young, one raised as a singer by their widowed mother and another as the heir to one of Mexico's richest families.
An American soldier stationed in England is ready to go on his honeymoon with his new wife when his ex-wife, a gorgeous blonde, shows up and insists that they're still married.
A jeweller is killed in a gang robbery leaving the daughter as the only witness. When the police can't build a case against him she decides to go undercover to infiltrate the home of the killer's brother.
After being framed for a murder he didn't commit, Tom Penney (Donald Houston) serves his time and returns to his rural English home to establish a quiet life.
Swindler in jail devises a scheme to blackmail the family of recently deceased people, threatening to tell supposedly incriminating facts about their dead relatives' lives.
