This film portrait of the artist Josef Lada was made for the purpose of popularising the works of the contemporary artist, whose creative body of work suited ideological objectives. This biopic is conceived for the most part as a commentary on a series of drawings and paintings. Nonetheless, it also captures the artist while he is at work and in contact with family and friends.
Known for his vibrant reinterpretations of classical portraits featuring African-American men, New York-based painter Kehinde Wiley has turned the practice of portraiture on its head and in the process has taken the art world by storm.
Chuck Close, an astounding portrait of one of the world's leading contemporary painters, was one of two parting gifts (her second is a film on Louise Bourgeois) from Marion Cajori, a filmmaker who died recently, and before her time.
Orientalism is a literary and artistic movement born in Western Europe in the 18th century. Through its scale and popularity, throughout the 19th century, it marked the interest and curiosity of artists and writers for the countries of the West (the Maghreb) or the Levant (the Middle East).
THE STORY WON’T DIE, from Award-winning filmmaker David Henry Gerson, is an inspiring, timely look at a young generation of Syrian artists who use their work to protest and process what is currently the world’s largest and longest ongoing displacement of people since WWII.
The new steward of Siltala ends up falling in love with the beautiful widow of the house. Their romance is endangered by misunderstandings and the fact that the estate of Siltala is swimming in debt.
While Ludovic Dubois, a young summer camp monitor in Saint-Benoît, entertains the children by playing Robin Hood, the lord's niece is kidnapped by her uncle, in the castle next door.
Mickey Rooney, plugging his latest Columbia film, stops by Ralph Staub's editing room and film vault, and the two of them watch clips from Rooney's films, dating back as far as the Mickey McGuire comedies.
Engineer Adel's journey from Europe ends and he returns to Cairo. He begins searching for his beloved Wedad, whom he had proposed to the wealthy lady, Nemat.
A jeweller is killed in a gang robbery leaving the daughter as the only witness. When the police can't build a case against him she decides to go undercover to infiltrate the home of the killer's brother.
