This film portrait of the artist Josef Lada was made for the purpose of popularising the works of the contemporary artist, whose creative body of work suited ideological objectives. This biopic is conceived for the most part as a commentary on a series of drawings and paintings. Nonetheless, it also captures the artist while he is at work and in contact with family and friends.
Known for his vibrant reinterpretations of classical portraits featuring African-American men, New York-based painter Kehinde Wiley has turned the practice of portraiture on its head and in the process has taken the art world by storm.
Chuck Close, an astounding portrait of one of the world's leading contemporary painters, was one of two parting gifts (her second is a film on Louise Bourgeois) from Marion Cajori, a filmmaker who died recently, and before her time.
Orientalism is a literary and artistic movement born in Western Europe in the 18th century. Through its scale and popularity, throughout the 19th century, it marked the interest and curiosity of artists and writers for the countries of the West (the Maghreb) or the Levant (the Middle East).
THE STORY WON’T DIE, from Award-winning filmmaker David Henry Gerson, is an inspiring, timely look at a young generation of Syrian artists who use their work to protest and process what is currently the world’s largest and longest ongoing displacement of people since WWII.
Mickey Rooney, plugging his latest Columbia film, stops by Ralph Staub's editing room and film vault, and the two of them watch clips from Rooney's films, dating back as far as the Mickey McGuire comedies.
Swindler in jail devises a scheme to blackmail the family of recently deceased people, threatening to tell supposedly incriminating facts about their dead relatives' lives.
While Ludovic Dubois, a young summer camp monitor in Saint-Benoît, entertains the children by playing Robin Hood, the lord's niece is kidnapped by her uncle, in the castle next door.
"The Man from Cairo", a Michaeldavid production for distribution by Lippert, with Ray Enright the only credited director on the film print, finds Mike Canelli, the man from Cairo, nosing around Algiers with mystery surrounding the people he meets and the things he does and has done to him, all deriving from the war-time theft of $100,000,000 in gold which lies somewhere in the adjacent desert.
An American soldier stationed in England is ready to go on his honeymoon with his new wife when his ex-wife, a gorgeous blonde, shows up and insists that they're still married.
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Have you watched Josef Lada, National Artist yet? What did you think about it?
