Traveling through his kingdom’s forest one day King Arthur is confronted by The Red Knight who plans to slay him but decides to challenge him with the riddle “What does a woman want from a man?” Instructing him that there is only one correct answer he sets him free with the proviso that he must return in a month with the solution or be put to death. Riding beside the King, Sir Gawain and he become acquainted with Maid Marian who exiled herself to the forest. A frustrating month ensues as Arthur seeks the answer finally, striking a bargain with a hag to save himself. But will the price be too high?
When the child Arthur’s father is murdered, Vortigern, Arthur’s uncle, seizes the crown. Robbed of his birthright and with no idea who he truly is, Arthur comes up the hard way in the back alleys of the city.
King Arthur, accompanied by his squire, recruits his Knights of the Round Table, including Sir Bedevere the Wise, Sir Lancelot the Brave, Sir Robin the Not-Quite-So-Brave-As-Sir-Lancelot and Sir Galahad the Pure.
A bump on the head sends Hank Martin, 1905 auto mechanic, to Arthurian England, 528 A.D., where he is befriended by Sir Sagramore le Desirous and gains power by judicious use of technology.
Shot live from the Winter Garden Theatre in New York City, this presentation of the 1980 Broadway revival of the beloved Lerner & Loewe classic follows King Arthur, who founds the kingdom of Camelot and the Knights of the Round Table.
Wart is a young boy who aspires to be a knight's squire. On a hunting trip he falls in on Merlin, a powerful but amnesiac wizard who has plans for him beyond mere squiredom.
In Camelot, kingdom of Arthur and Merlin, Lancelot is well known for his courage and honor. But one day he must quit Camelot and the Queen Guinevere's love, leaving the Round Table without protection.
In an ancient time when majestic fire-breathers soared through the skies, a knight named Bowen comes face to face and heart to heart with the last dragon on Earth, Draco.
The plot of his illegitimate son Mordred to gain the throne, and Guinevere's growing attachment to Sir Lancelot, threatens to topple King Arthur and destroy his "round table" of knights.
Lau Mung-mui chances on To Lai-leung and their encounter transcends to a rendezvous in their dreams. They admire each other, but they do not know each other's names and addresses.
High Tor is a 1936 play by Maxwell Anderson. Twenty years after the original production, Anderson adapted it into a television musical with Arthur Schwartz.
