Rumania's entry in the 1958 Cannes Film Festival was the excessively melodramatic Ciulinii Barganului. The title translates as Fools of Baragan, in reference to a band of beleaguered feudal Rumanian peasants. But these are no fools: instead, they are fearless freedom fighters, organizing a brave (though foredoomed) revolt against the tyranny of the landowners. The parallels drawn between the people of Baragun and Russia's revolutionary leaders are all but impossible to miss. It would have been nice, however, if the story had not been told in such a heavy-handed, spell-it-all-out fashion.
When a crooked sheriff murder his employer, William "Billy the Kid" Bonney decides to avenge the death by killing the man responsible, throwing the lives of everyone around him into turmoil, and endangering the General Amnesty set up by Governor Wallace to bring peace to the New Mexico Territory.
A mysterious creature from another planet, resembling a giant blob of jelly, lands on earth. The people of a nearby small town refuse to listen to some teenagers who have witnessed the blob's destructive power.
The feature-film debut of famed director Louis Malle is an interesting, modern film noir with the classic theme of lovers plotting to kill the husband and make it look like suicide (reminiscent of The Postman Always Rings Twice).