Shadows is an improvisation inspired film about interracial relations during the Beat Generation years in New York City, and was written and directed by John Cassavetes. The film stars Ben Carruthers, Lelia Goldoni, Hugh Hurd, and Anthony Ray. Many film scholars consider Shadows one of the highlights of independent film in the U.S. In 1960 the film won the Critics Award at the Venice Film Festival.
Mia, an aspiring actress, serves lattes to movie stars in between auditions and Sebastian, a jazz musician, scrapes by playing cocktail party gigs in dingy bars, but as success mounts they are faced with decisions that begin to fray the fragile fabric of their love affair, and the dreams they worked so hard to maintain in each other threaten to rip them apart.
A documentary on the life of Amy Winehouse, the immensely talented yet doomed songstress. We see her from her teen years, where she already showed her singing abilities, to her finding success and then her downward spiral into alcoholism and drugs.
Viktor Navorski is a man without a country; his plane took off just as a coup d'etat exploded in his homeland, leaving it in shambles, and now he's stranded at Kennedy Airport, where he's holding a passport that nobody recognizes.
Olivier Assayas, Gus Van Sant, Wes Craven and Alfonso Cuaron are among the 20 distinguished directors who contribute to this collection of 18 stories, each exploring a different aspect of Parisian life.
In late 1940s Yorkshire, England, ambitious young man Joe Lampton (Laurence Harvey), who has just moved from the dreary factory town of Dufton, arrives in Warnley, to assume a secure, but poorly-paid, post in the Borough Treasurer's Department.
The story of a man (Andrey Sokolov) whose life was ruthlessly crippled by World War II. His wife and daughters were killed during the bombing of his village, he spent some time as a prisoner, and his only son was killed in action only a few days before the victory.
Charles is a young provincial coming up to Paris to study law. He shares his cousin Paul's flat. Paul is a kind of decadent boy, a disillusioned pleasure-seeker, always dragging along with other idles, while Charles is a plodding, naive and honest man.