A student work by Jiří Menzel, filmed during his second year at the FAMU film school. Views of old Prague and its tenement buildings, symbolizing the obsolete past, alternate with shots of construction sites for new prefabricated apartment buildings. In spite of certain unavoidable propagandistic overtones added by the director, it is notable as the beginning of his search for a “dramaturgy of colors.”
Why wouldn't you? Is there any reason not to? We've got so much at our disposal, so, why don't you? Won't you tell me? Won't you please tell me? To have you down is simply unacceptable.
Gavin built a giant volcano sculpture that's now in his dad's shed. Gavin seeks his dad's understanding but he's uninterested in modern art and refuses to participate in the documentary.
With the good of the people in mind, Valery Legasov, a Soviet scientist called to the scene of the Chernobyl nuclear disaster, stands up to censorship behind the Iron Curtain.
Through rhythmic re-composition of fragmented images, semi-surreal situations are explored in a documentary style of observation of a man's obsession with a powerful animal, the black horned bull, and the Spanish process of taxidermy through which he attempts to embody its beauty and strength, turning into a Minotaur.
Madrid, Spain, 1949. The Circo Americano arrives in the city. While the big top is pitched in a vacant lot, the troupe parades through the grand avenues: the band, a witty impersonator, the Balodys, acrobats, jugglers, acrobatic skaters, clowns and… Buffallo Bill.
Little Jerguš's father was killed by gendarmes. To help his mother, the boy is hired as a laborer, then goes to the factory, to the city, but, unable to withstand the cruel exploitation, hoping to become free and independent, returns to the mountains, where his father once fought for the good of the people.
Though a piece of meat figures in this film the real subject is, before you judge something not just a steak, think twice, as for instance the way two people in a situation present themselves to each other.
An honest man instills in his only child the adage, 'Honesty is the best policy.' When the boy grows up, he has to fight for the truth and it remains to be seen if he can keep his ideologies alive.
Bhaskar (Akkineni Nageswara Rao) and Vasanti (B. Saroja Devi) are college mates who clash when she complains to the college principal about a love letter he sent her.
The film tells the story of two twins separated in childhood who reunite when they are older. One of them has grown between outlaws and has become one of them, a murderous bandit who frightens the region.
A kindhearted wandering gambler named Hajiro gets involved in a crisis of a village as he passes through and decides to lend a sword in hopes to rescue them.
